entertainment
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entertainment
NCLT Approves Merger of Viacom 18, Star India After CCI Nod
The NCLT on Friday approved the scheme of merger of Reliance Industries-owned Viacom 18 Media — the holding company of…
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entertainment
IC 814: The Kandahar Hijack Review: The Fault in Our Systems
When it comes to sensitive subjects like national security, filmmakers often resort to a jingoistic tone. Dramatic speeches, theatrical dialogues,…
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entertainment
IC 814: The Kandahar Hijack Review: The Fault in Our Systems
When it comes to sensitive subjects like national security, filmmakers often resort to a jingoistic tone. Dramatic speeches, theatrical dialogues,…
Read More » -
entertainment
OTT Releases This Week: IC 814: The Kandahar Hijack, The Lord of the Rings: The Rings of Power Season 2, and More
This week, we have on a platter a plane hijack, a dark fantasy world, a war between machines and humanity,…
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entertainment
Brinda Director Surya Vangala Opens Up About the Series and Its Inspirations
It has become rather rare for the Indian television industry to produce a crime thriller that isn’t a botched-up compilation…
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entertainment
OneOdio Debuts the Studio Max 1 Wireless DJ Headphones and the OpenRock X Forbidden City Special Edition at IFA 2024
OneOdio, a professional audio brand with over a decade of experience, is seizing the opportunity at IFA 2024 (Sept. 6-10)…
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Displays
Hisense and Black Myth: Wukong Rewrites the Rules for 3D Gaming on Big Screens
The launch of the highly anticipated Black Myth: Wukong marked a step change in the gaming industry. China’s landmark AAA…
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entertainment
Phir Aayi Hasseen Dillruba Review: Netflix Sequel Fails to Live Up to First Film
Three years back when I watched Netflix’s Haseen Dillruba, despite not being a fan of romantic crime thrillers, I was…
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entertainment
OTT Releases This Week: Brinda, Batman Caped Crusader and More
The weekend is here, and so are our top recommendations for the biggest OTT releases to stream! Among the Indian…
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Bloody Ishq Review: A New Low for Indian Horror Cinema
Horror isn’t a strong suit for Indian filmmakers, with overly dramatic camera angles, cheap jump scares, and cringe writing dominating…
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